Brief

The Game Industry is a multi-billion pound industry and still growing. These days games are so complex they require large teams of programmers, designers, artists, testers, advertisers, and producers to organize and develop them. Games are now as complex as, if not more than, the latest blockbuster film. As a result formal training and education is almost essential.

Deliverable

To develop and evaluate a prototype computer game. Assessment criteria will concern: ability to relate theories and principles of computer game design to the specified problem, systematic approach to developing the system, application of content and multimedia design principles to system, levels of functionality and usability achieved.

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Introduction

The goal for this project was to work in conjunction with fellow designers Peter Stewart

and James Rogers to create an innovative and engaging 3d game that had a high standard of detail and functionality.

3D modelling is a medium that the design team eagerly embraced. With a good collective knowledge of 3d modelling, production of a high quality 3d game was predicted. After detailed analysis of previous university games, including IMD Rush and Coin Collector, there were serious detail limitations in each. A number of aspects that the game would require are listed below:

• High resolution models contained in a “complete” 3D world
• Low polygon count to keep file size minimal
• Detailed texture mapping to improve rendering
• Create bespoke Havok physics

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Development

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As it became more apparent through the development process that driving games were quite common, the need to advance was realised. This along with problems arising within Macromedia Director concerning the 3D world’s rendering capability and performance was enough to make the transition to a game that featured flight as opposed to conventional driving.  As a generous amount of time was available to the team, it was felt that experimenting with flight was feasible.

Concepts that revolved around flight were discussed and a “Space” theme was selected for development.

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3D Environment

Having dedicated a large amount of time and brain power to the previous ideas, development of the initial concept for the flight was slow. However, once the “Space Station” idea was settled on, the 3D world was implemented very effectively and efficiently. Inspiration for the space station was taken from a Turbo Squid Wall Model. Its size, style, appearance, layout, levels, emboss, welds, level of detail, texture mapping and polygon count were adapted to meet our needs. This new outer wall acted as the base which the entire space station was built around. Innovative bridges were created for the character to “fly” under and land on, as well as a launch pad for initial take off.

Numerous styles of Space Shuttle were designed and tested in the new environment and it was decided that the very recognisable Star Wars X-Wing style fighter was best. Again various adaptations were made to make the shuttle suitable for the environment. The fighter was placed on a new landing pad ready for exportation into Director.

A Rigid Body Collection was added to the world within 3D Studio Max, allowing the definition multiple rigid objects. This then allowed the creation of a bespoke Havok Physics file, granting the smoother animation within Director and better interaction between the X-Wing and the world itself.

Individual planets were created to act as items for the player to collect. Each planet was given its own size and unique texture and they were then located in strategic positions around the 3D world.

The game was exported and tested at this stage, which generated awareness of poor lighting when the X-Wing was at altitude. New spot lights were created and positioned carefully to give the user the best view and experience possible. Similarly, a new “Wide Angle” camera was created to give the user an alternative view in the event of not finding a planet.

This subsequently completed the games detailed environment.

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Interface Development

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Knowing that the interface would have to reflect a “spacey” and futuristic feel just like the game, a large collection of Space Like images were obtained to be used as the backgrounds for the different screens. These images were obtained from various sources and manipulated using HDR style effects to suit the project needs.

The images were adjusted in Photoshop CS3 using different image filters and adjustment tools.  These included using Levels and Unsharp Masks to produce the effect required. Grunge Brushes were also used inside Photoshop CS3 to create a grungy feel to the images and help lift the shiny surface off them. This helped create the grunge feel required.

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Brief

The key information about the business itself:

• Open outside office hours
• Counselling charged at £45 per session
• Inclusive and accessible by all

There are a number of mediums that Claire wants to use to advertise her business:

• Website
• Professional directories
• Telephone book
• Leaflets
• Business cards

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Development

The key was to create a brand that would be effective across these mediums. I see the website as the main focus of advertising, but each of the others will be used to direct further traffic to the site itself. I created an instantly recognisable logo that will outlines the companies role.

Branding

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• Colours & Typography

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Taking inspiration from a television programme I watched when I was younger about a man called Dave Gorman who travelled the world trying to meet as many other Dave Gormans as possible, I want to create a place for DJ’s called Lee.

The site would act as a place to meet and greet other DJ’s from around the world, as well as submitting new mixes and extracts from up and coming work. Acting secondly as a crit website, users can then rate, comment and download the content with a focus being placed on improving everyone’s skills.

LeeJay would act as a resource website containing background mixes for beginners to start with. There is also scope to include tutorials for those willing to try their hand. A Google maps section will allow users to plot their location, and in time building a worldwide community of amateur DJ’s called Lee.

Pros:

1. I have an interest in the topic area
2. Large number of regular users available
3. Ability to create a community
4. Scope for magazine features and high Google listings
5. LeeJay has a great ring to it and a brand would be easily created
6. No other DJ site like it

Cons:

1. Hard to distinguish users talents
2. Large amount of embedded code required for complex features
3. May be difficult to portray my idea
4. Anyone not called Lee may never return to the site limiting site traffic
5. Forum administrators required to keep user generated content in check

This video should give you an idea of what Dave’s show was all about:

David James Gorman, born March 2, 1971 in Stafford, Staffordshire, is an author, documentary comedian and humorist. He performs comedy shows on stage in which he tells stories of extreme adventures and presents the evidence to the audience in order to prove to them that, unlike in most other stage presentations, they are true stories. He is a former stand-up comedian.

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Lego Belfast is a project I have toyed with for a while now. Being a bit of a Lego buff in my youth, I have always had a passion for all things block. Incorporating the simplistic nature of Lego into some of Belfast’s iconic places could create a unique tourism website for the city.

The website’s primary objective would be to deliver clear and concise information about Belfast, with an array of downloadable content available to users. Lego-ising landmarks such as the Albert Clock, Belfast Eye, Big Fish and the Odyssey Pavilion could generate a lot of interest.

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1. Information readily available
2. Very specific advertising opportunities
3. Revenue can be generated
4. Scope to include Northern Ireland’s tourism organisations
5. A recognisable brand could become key to Northern Ireland’s future tourism success
6. No current Lego rivals in the Belfast market

Cons:

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1. Relies heavily on my ability to Lego-ise the landmarks
2. Large amount of PR will be required to generate initial site interest
3. Could be quite childish
4. There are a large number of tourism websites already in the market
5. Respective Trusts may not be keen on having their landmarks Lego-ise
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